The siting of a building is perhaps more crucial to its impact and success than its design. While design defines the user’s experience, siting determines its ultimate contribution for citizens as a new insertion into the urban condition. For CasArts, a new theatre in Casablanca located in the administrative district, we opted to shift the site from the outermost of three public squares to the middle plaza, improving visibility and creating a focal point in an otherwise ill-defined sequence of vaguely interconnected open spaces. Go to location diagram. Crucial to this siting strategy is the articulation of the two theatres required for CasArts not as trophy objects, but as integrated entities in an enclosed yet permeable urban complex. The courtyard design of the complex draws on classical Arab architecture, offering a protected and defined space – still accessible on all sides – that can incubate critical urban density, even independently of performances. Architecture and urbanism are addressed simultaneously in order to clarify the surrounding environment, augment the interaction of CasArts with the city, and extend the range of the theatres with open-air or semi-enclosed possibilities. Both theatres are embedded into the perimeter of the complex. The larger, v-shaped theatre offers flexibility and high acoustic performance, with each wing jutting out slightly – one into the exterior of the complex and one into the courtyard – offering a symbolic linkage between the outside and the inside. Each of the two long sides of the complex are dedicated to separate users: production and public. The production side, with its grid of studios and rehearsal rooms, fosters the participation of multiple activities and cultural entities; the public side, with its café and restaurant, attracts visitors. The courtyard serves as a gathering place for the public, eliminating any sense of elitism or isolation. Since the shape of the complex is not dominated by the configuration of the two theatres, the complex will naturally attract all other arts to its precinct.
OMA
CasArts-Theatre de Casablanca









Credits
Architect
Partners in Charge
- Rem Koolhaas
- Reinier de Graaf
Associate in Charge
- Clément Blanchet
Project Team
(OMA)
- Iyad Alsaka
- Sandra Bsat
- Antoine Decourt
- Alessandro De Santis
- Boris Girin
- Ravi Kamisetti
- Patrizia Zobernig
- Miriam Roure Parera
- Selma Maaroufi
Local Architect
- KILO Architectures
Principal
- Tarik Oualalou
Project Team
(KILO Architectures)
- Linna Choi
- Abderrahim Kassou
- Shiraz Jerbi
- Liwen Zhang
- Naomi Sakamoto
- Client
- Casablanca City
Consultants
- WSP, London - Structure, Services, Environment
- DHV Building and Industry, Eindhoven - Acoustics
- dUCKS Scéno, Michel Cova, Stefan Abromeit - Sceneography
- AGENCE TER, Olivier Philippe - Landscape
- Davis Langdon - Cost
- dUCKS Scéno, France - Theatre
- Vincent de Rijk, Farshid Gazor, Vincent McIlduff - Model
- Labtop - Imagerie
Photographer
- Frans Parthesius
Performing Arts Centers
Volume 4, Number 2

- Projects
- Rouen Concert and Exhibition Hall
- Casa da Música
- Curve Theater
- Taipei Performing Arts Center
- Red Diamond
- Dance Palace
- Norwegian National Opera
- CasArts-Theatre de Casablanca
- Grant Recital Hall
- Performing Arts Pavilion at the Jackson Hole Center for the Arts
- Dallas City Performance Hall
- Wildbeast Pavilion
- The Wolfe Center for the Collaborative Arts
- AT&T Performing Arts Center Dee + Charles Wyly Theater
- Books
- Buildings for the Performing Arts, Second Edition: A Design and Development Guide
- Performing Architecture: Opera Houses, Theatres and Concert Halls for the Twenty-first Century
- Building Type Basics for Performing Arts Facilities
- Snohetta Works
- Architecture, Actor and Audience
- Theaters (A Norton/Library of Congress Visual Sourcebook)
- Theatres and Concert Halls
- Theater Design
- Architectural Acoustics: Principles and Practice